Latest

Festivals

映画祭 · What's on the festival calendar, the films each region is talking about this week, and what its press is covering — in English

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Cinepuuulse is a magazine, a radar and a diary about Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — read from Tokyo.

Our mark is 銀幕, ginmaku, the old word for the silver screen; it is the same two characters in Japanese, Chinese and Korean. A magazine, because every week one film is worth reading about slowly. A radar, because we count what the region's screens are talking about — box office, festivals, directors, anime, streaming — and show it as it moves. A diary, because a seal is set each day in that day's colour, and the days add up.

We read the local press in its own languages and bring it over in English: the Japanese film sites, the Korean trade papers, the Chinese culture desks, the Vietnamese and Thai entertainment pages. Everything here links back to the people who made it; the images belong to their authors.

Cinepuuulse will keep changing. New sources, new signals, new ways of looking — a little better each week, never finished. If a film here made you want to buy a ticket, that is enough.

Thank you for reading. ありがとうございます。

← Cinepuuulse Archive

Variety

‘Onslaught’ Director Adam Wingard on Adding Kink to His Movie, Why the Bad Guys Look Like ICE Agents and Spending ‘A Decade Slaving Away in the Studio System’ Making ‘Godzilla’

September 4

Adam Wingard’s new movie “Onslaught,” in theaters Friday via A24, is an ’80s-inspired action thriller in which a combat veteran (Adria Arjona) has to save her daughter (Blake Kennedy) when their trailer park is attacked

Directors Features Adam Wingard Godzilla Onslaught

Read at Variety ↗

Latest

‘Onslaught’ Director Adam Wingard on Adding Kink to His Movie, Why the Bad Guys Look Like ICE Agents and Spending ‘A Decade Slaving Away in the Studio System’ Making ‘Godzilla’

Related

‘Al Baraneya’ Review: Cinema Verité Doesn’t Get More Naturalistic Than Egyptian Director Ashgan El-Hamus’ Impressive Debut Variety

Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren Senses of Cinema

Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era Senses of Cinema

AsiaInterview: Director Brian Hung Illuminates Hong Kong’s Ethnic Minorities in “Let’s Have a Cup of Doodh Patti Chai” Cinema Escapist

AsiaFrom Tropical Fish to A Foggy Tale Easternkicks

Rabid Dogs Senses of Cinema