Senses of Cinema
20 stories

Senses of CinemaRabid Dogs

Senses of CinemaPlayful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

Senses of CinemaKill, Baby… Kill!

Senses of CinemaThe Faces of Mario Bava’s Black Sabbath

Senses of CinemaFilmmaking at the end of the world: The Quiet Earth

Senses of CinemaCrimes Against Reality: Speculation and the New Red Order

Senses of CinemaFeeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

Senses of CinemaAn Interview with Giulio Bertelli

Senses of CinemaConsent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

Senses of CinemaKorean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

Senses of CinemaFerrara, Abel

Senses of CinemaMahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

Senses of CinemaThe Eternal Return: The Battle of Algiers at 60

Senses of CinemaIntroduction

Senses of CinemaThe Material Ghosts of Bombay Horror

Senses of CinemaWhat is the honour of cinema? – The 79th Cannes Film Festival

Senses of CinemaBeyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

Senses of CinemaKhavn

Senses of CinemaCinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

Senses of CinemaTime and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren
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